Araştırma Makalesi
BibTex RIS Kaynak Göster

Yıl 2023, Sayı: 29, 81 - 97, 27.01.2023

Sadık Tumay

https://doi.org/10.17484/yedi.1062286

Öz

Kaynakça

  • Adams, S. (2020). Landscape painting in revolutionary France: Liberty's embrace (1st ed.). Routledge. https://doi.org/10.4324/9781315229430.
  • Alarcó P. (2019, October). The impressionists and photography [Video]. Thyssen-Bornemisza National Museum. https://www.museothyssen.org/en/thyssenmultimedia/impressionists-and-photography
  • Anadol, R. (2013, 15 Mayıs). The active apparatus and liminal landscapes [Blog yazısı]. https://refikanadol.com/works/the-active-apparatus-and-liminal-landscapes/
  • Armitage, S. (1981). Society for photographic education, exposure. Robert Adams: Post Modernism and Meaning 18(2), 49-59, Society for Photographic Education Inc. https://www.spenational.org/files/store/products/pdf-high/SPE_Exposure_1980_18_2.pdf
  • Barker, R. (1796). The repertory of arts and manufactures [Digital Editions Sürümü]. https://www.bl.uk/collection-items/specification-of-mr-barkers-patent-for-displaying-views-of-nature-at-large
  • Behdad, A. (2017). The orientalist photograph: An object of comparison. Canadian Review of Comparative Literature, 43(2), 265-281.
  • Berger, J. (1986). Görme biçimleri (Y. Salman, Çev.). Metis Yayıncılık.
  • Blumberg, N. (2016). Landscape painting art. Britannica. https://www.britannica.com/art/landscape-painting
  • Bruegel, P. (The Elder). (1563). Landscape with the flight into Egypt [Painting]. The Courtauld Institute of Art Reception, London, England. https://courtauld.ac.uk/gallery/the-collection/
  • Burke, P. (2003). Tarihin görgü tanıkları (Z. Yelçe, Çev.). Kitap Yayınevi.
  • Conisbee, P. Faunce, S. Strick, J. & Galassi, P. (1996). In the light of Italy: Corot and early open-air painting. Yale University Press. https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/in-the-light-of-italy.pdf
  • Cosgrove, D. (2008). Geography and vision seeing, imagining and representing the world. I.B. Tauris & Co Ltd. https://we.riseup.net/assets/232073/COSGROVE,%20Denis.%20Geography%20and%20vision%20seeing,%20imagining%20and%20representing%20the%20world.%20London%20&%20New%20York%20I.B.%20Tauris,%202008.pdf
  • Crimp, D. (1981). The end of painting. Art World Follies, 16, 69-86. https://amper.ped.muni.cz/~jonas/knihy/18_klasicka_media_v_soucasnem_umeni/Douglas%20Crimp_The%20End%20of%20Painting.pdf
  • Daniels, S., DeLyser D., Entrikin J. N. & Richardson D. (2011). Envisioning landscapes, making worlds geography and the humanities. Routledge Taylor Francis Group. http://geohumanitiesforum.org/wp-content/uploads/2016/10/Cosgrovereading.pdf
  • Ergand, Ç. (2018). Panoramik fotoğraf ve panoramik fotoğraf tabanlı sanal tur teknolojisi ve çekim teknikleri, 2017/25 Numaralı Bilimsel Araştırma Projesi Sonuç Raporu Eki, Mimar Sinan Güzel Sanatlar Üniversitesi. https://www.msgsu.edu.tr/Assets/UserFiles/doc_bap/2017_25_prof._cetin_ergand.pdf
  • Frizot, M. (1998). A new history of photography. Könemann.
  • Galassi, P. (1981). Before photography: painting and the invention of photography. https://www.moma.org/documents/moma_catalogue_2267_300296442.pdf
  • Gilbert, G. (1972). More Photographic Advertising From A to Z. From the Kodak to The Leica. ed. Georgen, Volume Two, Published by Yesterday's Cameras.
  • GoPro Fusion (2018). https://gopro.com/content/dam/help/fusion/manuals/Fusion_UM_ENG_REVC.pdf
  • GoPro Fusion (2018, 11 Temmuz). GoPro Fusion 360 tutorial: How to get started [Video]. https://youtu.be/DBqPUuQQb1Y
  • Guillermet, A. (2016). ‘Painting like nature’: Chance and the landscape in Gerhard Richter’s overpainted photographs, Art History, 40(1), 78-199. 10.1111/1467-8365.12225
  • Güncel Türkçe Sözlük, (2022). Manzara. Türk Dil Kurumu, Ekim 10, 2022, https://sozluk.gov.tr
  • Howard, P., Thompson I. & Waterton E. (2013). The Routledge companion to landscape studies, Routledge.
  • Hutchinson, N. (2016). Landscapes both invite and defy definition, geographical education. 29, 23-32. https://www.agta.asn.au/files/Geographical%20Education/2016/Geographical%20Education%20Vol%2029,%202016.pdf
  • Jessel, B. (1995). Dimensionen des landschaftsbegriffs, bayerische akademie für naturschutz und landschaftspflege (ANL), Laufener Seminarbeitr. https://www.zobodat.at/pdf/Laufener-Spez-u-Seminarbeitr_4_1995_0007-0010.pdf
  • Kamcke, C. & Hutterer R. (2015). History of dioramas, 7(17). 10.1007/978-94-017-9496-1_2
  • Kaul, V. (2012). Changing paradigms of media landscape in the digital age, Journal of Mass Communication & Journalism, 2(2), 2-9. 10.4172/2165-7912.1000110
  • Kelly, M. (2014). Landscape: Landscape from the eighteenth century to the present, Encyclopedia of Aesthetics, 3, 117-122. https://mountainscholar.org/bitstream/handle/10217/89531/FACF_Rolston_Landscape-Aesth-Edn-2_rev.pdf?sequence=4&isAllowed=y
  • Kenneth, O. R. (1996). Recovering the substantive nature of landscape, annals of the association of american geographers, Annals of the Association of American Geographers, 86, 630-653. https://avblivinglandscape.files.wordpress.com/2011/01/olwig_1996.pdf
  • Lacina, J. & Halas, P. (2015). Landscape painting in evaluation of changes in landscape, Journal of Landscape Ecology, 8, 60-68. 10.1515/jlecol-2015-0009
  • La Valle, S. M. (2019). Virtual Reality. http://vr.cs.uiuc.edu/vrbook.pdf
  • Liong, C. K. (1997). De Xin Ying Shou [Heart and hand in accord] And'zhou You Dong X1 [Travelling round the east and the west]. https://research.gold.ac.uk/id/eprint/26590/1/De%20Xin%20Ying%20Shou.pdf
  • Lorena, C. D. (1654). Landscape with Apollo guarding the herds of Admetus and Mercury stealing them [Painting]. Holkham Hall, Norfolk, United Kingdom. Wikiart içinde, https://www.wikiart.org/en/claude-lorrain/apollo-guarding-the-herds-of-admetus-1654
  • Manovich, L. (1995). An archeology of a computer screen. http://manovich.net/index.php/projects/archeology-of-a-computer-screen
  • Metropolitan Sanat Müzesi. (2004). Nature in Chinese culture. https://www.metmuseum.org/toah/hd/cnat/hd_cnat.htm
  • Miller, J. (2013). Is green the new red? The role of religion in creating a sustainable China. Nature and Culture, 8(3), 249-264. 10.3167/nc.2013.080302. https://sites.duke.edu/jamesmiller/2013/10/01/is-green-the-new-red-the-role-of-religion-in-creating-a-sustainable-china/
  • Mitchell, W. J. T. (2002). Landscape and power, The University of Chicago Press. https://tr.tr1lib.org/book/17581053/d2bee6
  • National Geographic (2019, 19 August). Chinese religions and philosophies. https://www.nationalgeographic.org/article/chinese-religions-and-philosophies/
  • Niépce, N. (1826 veya 1827). View from the Window at Le Gras., Original plate (left) colorized reoriented enhancement (right). Wikipedia içinde, https://upload.wikimedia.org/wikipedia/commons/1/19/View_from_the_Window_at_Le_Gras_colorized_2020.png
  • Olwig, K. R. (2019). The Meanings of Landscape Essays on Place, Space, Environment, and Justice. Routledge.
  • Olwig, K. R. (1996). Recovering the Substantive Nature of Landscape. Annals of the Association of American Geographers, 86, (4), 630-653.
  • Paulhan, F. (1913). L’ Esthetique du paysage. (Digital editions sürümü]. https://archive.org/details/lesthtiquedupa00paul
  • Platon (2007). Yasalar (C. Şentuna ve S. Babür, Çev.). Kabalcı Yayınevi.
  • Polkinghorne, S. (2018). Going GoPro: Integrating a wearable camera into qualitative information research, Proceedings of the Association for Information Science and Technology, 55(1), 881-882. 10.1002/pra2.2018.14505501158
  • Poussin, N. (1640). Landscape with Saint John on Patmos [Painting]. The Art Institute of Chicago, United States. https://www.artic.edu/artworks/5848/landscape-with-saint-john-on-patmos
  • Radnóti, S. (2017). Claude Lorrain: An old man on the seashore. Acta Historiae Artium, Tomus, 58, 115-125. http://real.mtak.hu/72068/1/170.2017.58.1.5.pdf, 10.1556/170.2017.58.1.5
  • Rembrandt (1638). Landscape with the Good Samaritan [Painting], Web Gallery of Art, Czartoryski Museum, Cracow. https://www.wga.hu/html_m/r/rembrand/31landsc/04landsc.html
  • Rosenblum, N. (1997). A world history of photography [Digital Editions sürümü]. https://tr.tr1lib.org/book/2767661/70c910
  • Roussou, M. (2004). Learning by doing and learning through play: An exploration of interactivity in virtual environments for children, ACM Computers in Entertainment, 2(1). 1-23. 10.1145/973801.973818
  • Sarup, M., (2004). Post-yapısalcılık ve postmodernizm (A. Güçlü. Çev.). Bilim ve Sanat.
  • Sherman, E. L. (1962). Chinese landscape painting (Digital Editions sürümü]. https://archive.org/details/ChineseLandscape/page/n11/mode/2up
  • Simensen, T., Halvorsen, R. & Erikstad, L. (2018). Methods for landscape characterization and mapping: A systematic review, Land Use Policy, 75, 557-569. 10.1016/j.landusepol.2018.04.022
  • Snell, T. (2014). Panorama [Brochure]. https://www.lwgallery.uwa.edu.au/__data/assets/pdf_file/0008/2538593/panorama_catalogue_webVersion.pdf
  • Stark, H. L. (2016). Charles Sheeler’s paragone: Literary influence and the shaping of a hierarchy, Journal of Literature and Art Studies, 6(3), 226-234. 10.17265/2159-5836/2016.03.002
  • Swidzinski, J. (2016). Panoramic sites and civic unrest in 1790s London, The Eighteenth Century, 57(3), 283-301. 10.1353/ecy.2016.0019
  • Talento, K., Amado M. & Kullberg J. C. (2019). Landscape a review with a European perspective, Land, 8(6), 2-28. 10.3390/land8060085
  • The Library of Congress (2021). A brief history of panoramic photography. https://www.loc.gov/collections/panoramic-photographs/articles-and-essays/a-brief-history-of-panoramic-photography/
  • Thompson, S. (2015, 14th-19th), VR Panoramic photography and hypermedia: Drawing from the panorama's past, ISEA2015: The 21st International Symposium on Electronic Art, Vancouver, Canada [Conference presentation]. https://isea2015.org/proceeding/submissions/ISEA2015_submission_46.pdf
  • Valenciennes, P. H. (1799). Élémens de perspective pratique, a l'usage des artistes [Digital editions sürümü]. https://documents.univ-toulouse.fr/150NDG/PPN042608295.pdf
  • Woeste, H. (2012). A History of panoramic image creation. https://mainpanoramicproject.files.wordpress.com/2012/12/history-of-panaramic.pdf
  • Ziqian, Z. (2021, 15 Kasım). Wikipedia içinde. https://en.wikipedia.org/wiki/Zhan_Ziqian#/media/File:Stroll_About_InSpring.jpg

360 Fotoğraf Tasarımında Aksiyon Kamerası ve Post Manzara Anlayışı Üzerine Analizler

Yıl 2023, Sayı: 29, 81 - 97, 27.01.2023

Sadık Tumay

https://doi.org/10.17484/yedi.1062286

Öz

Manzara(Landscape) bir resim türüdür, tarihi içinde kültürü oluştuğu için geleneği bulunmaktadır. Manzara anlayışı, tarihsel süreçlerin gerçeklerine uygun olarak farklı disiplinlerce algılanıp biçimlenmiştir. Fotoğraf gibi bilimsel bir buluşun yaratıcı estetik türlerinden biride manzaradır. Fotoğrafçılar, manzaraya ilgi duymuş ve duymaktadırlar. Dolayısıyla araştırma alanı öncelikle resim ve fotoğrafta manzara türüyle ilgilidir. Günümüzde, 360 sanal tur tasarımları manzara fotoğrafları üzerinden yaratılmaktadır. Bu bağlamda manzara sanatsal bir eser olmanın yanında bir ürüne dönüşmüştür. Ürün, manzaranın geçmişinden beslenen ama aynı zamanda ayrışan nitelikleri ile bilimsel bir etkinlik alanı haline gelmiştir, araştırılması gerekmektedir. Fotoğrafik bu yeni sanal manzara anlayışı dijital teknolojilerle yaratılabilmektedir. Günümüz fotoğrafik manzaralarında insanoğlu, bu manzaranın hem içinde hem de karşısında olabilmektedir. Aksiyon kameraları, zamanın ruhunun bir yansıması olarak, bu hızlı üretim ve tüketim ihtiyacına çözüm üretebilmektedir. Sanal manzaranın, post manzaraya dönüşümünün aşamaları bulunmaktadır. 360 sanal tur post manzaralarının tasarımlanmasında donanımsal, yazılımsal ve grafik uygulamalar belirleyici olmaktadır. Bu manzaralar, algısal, teknik, düşünsel, estetik yeni formatıyla manzaranın vizyonunu resim ve fotoğraf sanatında ki konumunun çok ötesinde geliştirmiştir. Post Manzara son teknolojik gelişmelerin güncellemeleri ile vizyon derinliğinin sanal ve ötesinin olası sonuçlarının keşfine açık medyadır.

Anahtar Kelimeler

Fotoğraf Aksiyonkamerası 360SanalTur PostManzara Sanal

Kaynakça

  • Adams, S. (2020). Landscape painting in revolutionary France: Liberty's embrace (1st ed.). Routledge. https://doi.org/10.4324/9781315229430.
  • Alarcó P. (2019, October). The impressionists and photography [Video]. Thyssen-Bornemisza National Museum. https://www.museothyssen.org/en/thyssenmultimedia/impressionists-and-photography
  • Anadol, R. (2013, 15 Mayıs). The active apparatus and liminal landscapes [Blog yazısı]. https://refikanadol.com/works/the-active-apparatus-and-liminal-landscapes/
  • Armitage, S. (1981). Society for photographic education, exposure. Robert Adams: Post Modernism and Meaning 18(2), 49-59, Society for Photographic Education Inc. https://www.spenational.org/files/store/products/pdf-high/SPE_Exposure_1980_18_2.pdf
  • Barker, R. (1796). The repertory of arts and manufactures [Digital Editions Sürümü]. https://www.bl.uk/collection-items/specification-of-mr-barkers-patent-for-displaying-views-of-nature-at-large
  • Behdad, A. (2017). The orientalist photograph: An object of comparison. Canadian Review of Comparative Literature, 43(2), 265-281.
  • Berger, J. (1986). Görme biçimleri (Y. Salman, Çev.). Metis Yayıncılık.
  • Blumberg, N. (2016). Landscape painting art. Britannica. https://www.britannica.com/art/landscape-painting
  • Bruegel, P. (The Elder). (1563). Landscape with the flight into Egypt [Painting]. The Courtauld Institute of Art Reception, London, England. https://courtauld.ac.uk/gallery/the-collection/
  • Burke, P. (2003). Tarihin görgü tanıkları (Z. Yelçe, Çev.). Kitap Yayınevi.
  • Conisbee, P. Faunce, S. Strick, J. & Galassi, P. (1996). In the light of Italy: Corot and early open-air painting. Yale University Press. https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/in-the-light-of-italy.pdf
  • Cosgrove, D. (2008). Geography and vision seeing, imagining and representing the world. I.B. Tauris & Co Ltd. https://we.riseup.net/assets/232073/COSGROVE,%20Denis.%20Geography%20and%20vision%20seeing,%20imagining%20and%20representing%20the%20world.%20London%20&%20New%20York%20I.B.%20Tauris,%202008.pdf
  • Crimp, D. (1981). The end of painting. Art World Follies, 16, 69-86. https://amper.ped.muni.cz/~jonas/knihy/18_klasicka_media_v_soucasnem_umeni/Douglas%20Crimp_The%20End%20of%20Painting.pdf
  • Daniels, S., DeLyser D., Entrikin J. N. & Richardson D. (2011). Envisioning landscapes, making worlds geography and the humanities. Routledge Taylor Francis Group. http://geohumanitiesforum.org/wp-content/uploads/2016/10/Cosgrovereading.pdf
  • Ergand, Ç. (2018). Panoramik fotoğraf ve panoramik fotoğraf tabanlı sanal tur teknolojisi ve çekim teknikleri, 2017/25 Numaralı Bilimsel Araştırma Projesi Sonuç Raporu Eki, Mimar Sinan Güzel Sanatlar Üniversitesi. https://www.msgsu.edu.tr/Assets/UserFiles/doc_bap/2017_25_prof._cetin_ergand.pdf
  • Frizot, M. (1998). A new history of photography. Könemann.
  • Galassi, P. (1981). Before photography: painting and the invention of photography. https://www.moma.org/documents/moma_catalogue_2267_300296442.pdf
  • Gilbert, G. (1972). More Photographic Advertising From A to Z. From the Kodak to The Leica. ed. Georgen, Volume Two, Published by Yesterday's Cameras.
  • GoPro Fusion (2018). https://gopro.com/content/dam/help/fusion/manuals/Fusion_UM_ENG_REVC.pdf
  • GoPro Fusion (2018, 11 Temmuz). GoPro Fusion 360 tutorial: How to get started [Video]. https://youtu.be/DBqPUuQQb1Y
  • Guillermet, A. (2016). ‘Painting like nature’: Chance and the landscape in Gerhard Richter’s overpainted photographs, Art History, 40(1), 78-199. 10.1111/1467-8365.12225
  • Güncel Türkçe Sözlük, (2022). Manzara. Türk Dil Kurumu, Ekim 10, 2022, https://sozluk.gov.tr
  • Howard, P., Thompson I. & Waterton E. (2013). The Routledge companion to landscape studies, Routledge.
  • Hutchinson, N. (2016). Landscapes both invite and defy definition, geographical education. 29, 23-32. https://www.agta.asn.au/files/Geographical%20Education/2016/Geographical%20Education%20Vol%2029,%202016.pdf
  • Jessel, B. (1995). Dimensionen des landschaftsbegriffs, bayerische akademie für naturschutz und landschaftspflege (ANL), Laufener Seminarbeitr. https://www.zobodat.at/pdf/Laufener-Spez-u-Seminarbeitr_4_1995_0007-0010.pdf
  • Kamcke, C. & Hutterer R. (2015). History of dioramas, 7(17). 10.1007/978-94-017-9496-1_2
  • Kaul, V. (2012). Changing paradigms of media landscape in the digital age, Journal of Mass Communication & Journalism, 2(2), 2-9. 10.4172/2165-7912.1000110
  • Kelly, M. (2014). Landscape: Landscape from the eighteenth century to the present, Encyclopedia of Aesthetics, 3, 117-122. https://mountainscholar.org/bitstream/handle/10217/89531/FACF_Rolston_Landscape-Aesth-Edn-2_rev.pdf?sequence=4&isAllowed=y
  • Kenneth, O. R. (1996). Recovering the substantive nature of landscape, annals of the association of american geographers, Annals of the Association of American Geographers, 86, 630-653. https://avblivinglandscape.files.wordpress.com/2011/01/olwig_1996.pdf
  • Lacina, J. & Halas, P. (2015). Landscape painting in evaluation of changes in landscape, Journal of Landscape Ecology, 8, 60-68. 10.1515/jlecol-2015-0009
  • La Valle, S. M. (2019). Virtual Reality. http://vr.cs.uiuc.edu/vrbook.pdf
  • Liong, C. K. (1997). De Xin Ying Shou [Heart and hand in accord] And'zhou You Dong X1 [Travelling round the east and the west]. https://research.gold.ac.uk/id/eprint/26590/1/De%20Xin%20Ying%20Shou.pdf
  • Lorena, C. D. (1654). Landscape with Apollo guarding the herds of Admetus and Mercury stealing them [Painting]. Holkham Hall, Norfolk, United Kingdom. Wikiart içinde, https://www.wikiart.org/en/claude-lorrain/apollo-guarding-the-herds-of-admetus-1654
  • Manovich, L. (1995). An archeology of a computer screen. http://manovich.net/index.php/projects/archeology-of-a-computer-screen
  • Metropolitan Sanat Müzesi. (2004). Nature in Chinese culture. https://www.metmuseum.org/toah/hd/cnat/hd_cnat.htm
  • Miller, J. (2013). Is green the new red? The role of religion in creating a sustainable China. Nature and Culture, 8(3), 249-264. 10.3167/nc.2013.080302. https://sites.duke.edu/jamesmiller/2013/10/01/is-green-the-new-red-the-role-of-religion-in-creating-a-sustainable-china/
  • Mitchell, W. J. T. (2002). Landscape and power, The University of Chicago Press. https://tr.tr1lib.org/book/17581053/d2bee6
  • National Geographic (2019, 19 August). Chinese religions and philosophies. https://www.nationalgeographic.org/article/chinese-religions-and-philosophies/
  • Niépce, N. (1826 veya 1827). View from the Window at Le Gras., Original plate (left) colorized reoriented enhancement (right). Wikipedia içinde, https://upload.wikimedia.org/wikipedia/commons/1/19/View_from_the_Window_at_Le_Gras_colorized_2020.png
  • Olwig, K. R. (2019). The Meanings of Landscape Essays on Place, Space, Environment, and Justice. Routledge.
  • Olwig, K. R. (1996). Recovering the Substantive Nature of Landscape. Annals of the Association of American Geographers, 86, (4), 630-653.
  • Paulhan, F. (1913). L’ Esthetique du paysage. (Digital editions sürümü]. https://archive.org/details/lesthtiquedupa00paul
  • Platon (2007). Yasalar (C. Şentuna ve S. Babür, Çev.). Kabalcı Yayınevi.
  • Polkinghorne, S. (2018). Going GoPro: Integrating a wearable camera into qualitative information research, Proceedings of the Association for Information Science and Technology, 55(1), 881-882. 10.1002/pra2.2018.14505501158
  • Poussin, N. (1640). Landscape with Saint John on Patmos [Painting]. The Art Institute of Chicago, United States. https://www.artic.edu/artworks/5848/landscape-with-saint-john-on-patmos
  • Radnóti, S. (2017). Claude Lorrain: An old man on the seashore. Acta Historiae Artium, Tomus, 58, 115-125. http://real.mtak.hu/72068/1/170.2017.58.1.5.pdf, 10.1556/170.2017.58.1.5
  • Rembrandt (1638). Landscape with the Good Samaritan [Painting], Web Gallery of Art, Czartoryski Museum, Cracow. https://www.wga.hu/html_m/r/rembrand/31landsc/04landsc.html
  • Rosenblum, N. (1997). A world history of photography [Digital Editions sürümü]. https://tr.tr1lib.org/book/2767661/70c910
  • Roussou, M. (2004). Learning by doing and learning through play: An exploration of interactivity in virtual environments for children, ACM Computers in Entertainment, 2(1). 1-23. 10.1145/973801.973818
  • Sarup, M., (2004). Post-yapısalcılık ve postmodernizm (A. Güçlü. Çev.). Bilim ve Sanat.
  • Sherman, E. L. (1962). Chinese landscape painting (Digital Editions sürümü]. https://archive.org/details/ChineseLandscape/page/n11/mode/2up
  • Simensen, T., Halvorsen, R. & Erikstad, L. (2018). Methods for landscape characterization and mapping: A systematic review, Land Use Policy, 75, 557-569. 10.1016/j.landusepol.2018.04.022
  • Snell, T. (2014). Panorama [Brochure]. https://www.lwgallery.uwa.edu.au/__data/assets/pdf_file/0008/2538593/panorama_catalogue_webVersion.pdf
  • Stark, H. L. (2016). Charles Sheeler’s paragone: Literary influence and the shaping of a hierarchy, Journal of Literature and Art Studies, 6(3), 226-234. 10.17265/2159-5836/2016.03.002
  • Swidzinski, J. (2016). Panoramic sites and civic unrest in 1790s London, The Eighteenth Century, 57(3), 283-301. 10.1353/ecy.2016.0019
  • Talento, K., Amado M. & Kullberg J. C. (2019). Landscape a review with a European perspective, Land, 8(6), 2-28. 10.3390/land8060085
  • The Library of Congress (2021). A brief history of panoramic photography. https://www.loc.gov/collections/panoramic-photographs/articles-and-essays/a-brief-history-of-panoramic-photography/
  • Thompson, S. (2015, 14th-19th), VR Panoramic photography and hypermedia: Drawing from the panorama's past, ISEA2015: The 21st International Symposium on Electronic Art, Vancouver, Canada [Conference presentation]. https://isea2015.org/proceeding/submissions/ISEA2015_submission_46.pdf
  • Valenciennes, P. H. (1799). Élémens de perspective pratique, a l'usage des artistes [Digital editions sürümü]. https://documents.univ-toulouse.fr/150NDG/PPN042608295.pdf
  • Woeste, H. (2012). A History of panoramic image creation. https://mainpanoramicproject.files.wordpress.com/2012/12/history-of-panaramic.pdf
  • Ziqian, Z. (2021, 15 Kasım). Wikipedia içinde. https://en.wikipedia.org/wiki/Zhan_Ziqian#/media/File:Stroll_About_InSpring.jpg
Toplam 61 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Araştırma Makaleler
Yazarlar

Sadık Tumay 0000-0002-6162-375X

Yayımlanma Tarihi 27 Ocak 2023
Gönderilme Tarihi 24 Ocak 2022
Kabul Tarihi 18 Aralık 2022
Yayımlandığı Sayı Yıl 2023 Sayı: 29

Kaynak Göster

APA Tumay, S. (2023). 360 Fotoğraf Tasarımında Aksiyon Kamerası ve Post Manzara Anlayışı Üzerine Analizler. Yedi(29), 81-97. https://doi.org/10.17484/yedi.1062286
 Kapak Resmi İndir

18409

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